An audiovisual performance that attempts to retrace the history of rice cultivation in Southeast Asia.

Visible - invisible, far and near, rich and poor, healthy and ill, crowded and lonely, lost and directed, sadness and happiness, shame and love, pain and reality.

An extensive effort to document the biodiversity founded in the Lake Setu Patok conservation area in Cirebon, West Java, Indonesia.

Menilik kembali adat yang diturunkan oleh leluhur melalui pehamanan Puya dan tradisi Rambu Solo melalui motif ragam hias serta lingkungan alam Tana Toraja sejatinya adalah juga melakukan pemahaman kembali cara - cara hidup para leluhur dan nenek moyang yang selalu menghargai kondisi alam dan mengasihi keturunannya.

We see everything happening through the news. Reality scenes slide on our screen without a break.

Whenever we interact with it, it almost feels like we're in another world where people are frozen and the sky is full of blue dimmed light.

I used to listen to this song when I was on a bus which I took to take me home to Cikarang from Cirebon. It was beautiful though I don't understand the language.

Deconstruction Reconstruction was planned to be a series of Android applications which can be downloaded and collected through the internet..

With the continued increase in data on the internet through various manipulation efforts that have been carried out, the activity of translating the beauty and ugliness of nature has finally been replaced by activities to sharpen the validation of self-existence on various platforms on the internet.

A collection of music that I first made in 2019.

We respect our gifts of beauty only through our electronic devices. We snap the scenery, record the sound and manipulate it into something that only depends on our selfish will.

I imitate, reproduce, replicate, and respond to the paintings of many artists.

Wire Nation is the preceding code editing before the Radix Systema which was originally written by Daniel Shiffman as Flocking. The idea behind the editing is mainly the same as an investigation in regarding the case of originality that has gone through the development of technology.

A collection of photographs capturing Nadiah in 2015.

This work is expected to be used as a picture of Cikarang through the pieces of recording that are presented from a subjective perspective.